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DID ROMAN VILLAS HAVE OPEN VERANDAHS?

 

In Rebuilding the Past, programme 3, the issue of whether Butser’s villa should have an open verandah or an enclosed corridor is a major talking point. The whole subject illustrates some of the absurdity of archaeological debate, so I thought it was worth discussing it in a little more detail because the film creates the impression that experimental archaeology at Butser has produced a definitive answer.

 

The Butser construct is supposed to be based on experimentation, and the idea that in actually executing a structure this gives a better insight to solutions. To some extent that is true, but experimental archaeology certainly won’t answer the verandah question, whatever the conceit that it will. Anyone who watched the programme will have seen two experts (Dominic Perring and David S Neal) presenting two totally opposed views, while the Butser build team simply argued that since Britain is subject to cold winds an open verandah was most unlikely. But, one man’s cold wind is another’s balmy breeze.

 

And a lot more goes into designing a house than temperature considerations. Fashion, personal taste, money, function, available materials and skills, all play a part. It’s impossible to say in any one instance what those resulted in, unless you have an extant building.

 

So what is the evidence? Needless to say, not enough to argue the toss. Sometimes villa remains produce dwarf columns that must have come from an open verandah, while mosaic illustrations from North Africa and the evidence from South Shields show that open verandahs were certainly used in some places. Equally, plenty of villas don’t produce columns, and while they might have been robbed out, the probability is that in some cases the corridors were closed in.

 

What about load-bearing walls on the outer corridor? In the programme it was argued this as good as proved the walls were solid, and did not support open verandahs. Yet, the evidence from the Sparsholt villa is that all the internal walls were built to an unnecessary thickness – one basic observation of Roman building techniques is that there was little science involved. Over-building was quite normal, and this means it isn’t possible to tell anything conclusive from a wall’s thickness.

 

In any case, people alter their homes. What began life as an open verandah might one day have been closed in, or vice-versa.

 

Suppose a seventeenth-century almshouse in Barnstaple was destroyed and no illustration survived? One day, the site is excavated and front corridor is found. You can just imagine an archaeologist saying:

 

1. Almshouses are normally closed-in

2. Britain is too cold for an open verandah

3. We haven’t found any columns

 

And that would be that, wouldn’t it?

 

Except that it wasn’t destroyed and no-one has had to excavate it. It’s similar in scale and outline plan to a winged-corridor villa.

 

 

Too cold in Britain to build open verandahs? Apparently not in 1627, if you were so inclined, and I doubt if the ambient temperature was very different then from the year 300. In other words, it is perfectly possible that both open and closed corridors were used in Roman Britain and the case for either is usually no better than the other, given the evidence in any one instance.

 

In the end, a lot of this kind of rather futile archaeological debate reminds me of a scene in Blackadder Series 1. Percy has sagely informed Blackadder that the ‘you know, my Lord, they say the Spanish Infanta’s eyes are bluer than the Stone of Galveston’. Confusion results, but Blackadder establishes that Percy’s informants have never seen the Stone of Galveston, and that Percy has never seen either the Stone or the Infanta.

 

Blackadder: ‘so, Percy, in the end what you are saying is that something you have never seen is slightly less blue than something else – you have never seen.’ Or words to that effect.

 

And that’s what archaeologists spend a lot of time arguing over: differences between things they have never seen. I suppose it fills out the time of day, but usually the principal benefit is to television producers.

 

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